Cheap Video Reviews: Hot Rod Girl

Hot Rod Girl/T-Bird Gang.

Hot Rod Girl is one half of a dollar double feature DVD that Boz sent to me as a gift. I tried to watch both films on the DVD and the other film, T-Bird Gang, was underwhelming I actually fell asleep during that one. But Hot Rod Girl is a different story.

Hot Rod Girl, Miss Lisa Vernon.

It starts with a bang at the drag strip where Miss Lisa Vernon is hauling toward the finish line in her T-Bird before the opening credits have even finished rolling. The announcer confirms she has won yet another race.

Far from your typical crazed street-racer, Lisa Vernon is actually an All-American girl, as wholesome as they come. And it turns out, all the good kids in this town get their kicks at the drag strip, rather than terrorizing the public streets. But guess what? The public is clueless and is pressuring the city council to shut the strip down!

The hot rod gang.

After the race, we meet Lisa's crew, Steve, Flat-Top, and her responsible boyfriend, Jeff.

Oh! And in the background for just a few seconds – blink and you’ll miss it - a car rolls by with 666 painted on the door! Spooky!

666.

They're all planning to hit up Yo-Yo’s, the local teen hangout; but Steve, the youngest hot rodder, is stuck at home because his hot rod hating Aunt Sarah has him on lockdown. Aunt Sarah is basically a human speed bump in Steve’s life.

Jeff: "How about you, Steve?"

Steve: "Gee, I'd love to....but every time I come to the strip, Aunt Sarah puts a stopwatch on me...I'll be glad when I'm old enough to move in with you. She's strictly horse & buggy. She doesn't dig hot rods at all!"

The older gearheads chuckle affectionately. Then Jeff agrees to ride with Steve to diagnose a troublesome engine noise.

Anti-drag racing poster.

Now we meet the hot-rodders' friend, Ben. Ben is a little older, wears a suit and a hat, and is in a position of some authority with the local police force. Ben is at his city councilman's office discussing the drag-strip. Teen hot-rodding is public enemy #1 in this town and the city councilman’s whole office is basically a shrine to automobile accidents, including a huge poster of a horrible car accident on his office wall!

Councilman: "I've seen too much!"

Ben: "If you come out to the strip & get to know the kids..."

Councilman: "No thanks! That's your headache!!"

Long story short, Ben's trying to keep the strip alive, arguing that it keeps the kids off the streets. After some persuasion, the councilman reluctantly agrees.

Next, we’re cruising around town with Jeff & Steve. Jeff doesn't hear the engine sound Steve was complaining about.

Steve: "If I could really open it up..."

Then Jeff gets VERY serious and interjects, "At the racetrack!" Jeff is the voice of reason.

Steve starts in about his Aunt Sarah again - "Living with her is like driving with your breaks on!...Slow down!...Stop!...That's the story of my life!"

"Who's this squirrel?"

Jeff advises Steve to just cool it until he's old enough to move out,.

And then, out of nowhere, a blond Eddie Haskell lookalike pulls up next to them, revving his engine like a madman. Steve calls him a squirrel, and this dude lives up to it, weaving, laughing, and generally being a jackass. The stranger continues to gawk at them, revving his engine and laughing. It's a pretty funny scene.

Jeff advises, "Ignore him, Steve...Play it smart! He's looking for trouble - disappoint him."

Road rage.

Jeff stays cool, but Steve begins to lose his.

But then, things take a wild turn. The squirrel driver backs into their car – twice – at a stop sign, all while cackling like a maniac! Who even does that?

That's it, Steve's had enough, and it's road rage o'clock. They crash, and Steve doesn't make it. Jeff's in pieces, the councilman calls the car a 'hopped-up death trap,' and the whole town goes apeshit.

Sadness.

Yo-Yo's.

The scene shifts to Yo-Yo's some time later. Everyone is there, but guess what? Jeff is missing in action. The opening segment of this scene is pretty hilarious and cannot be captured in still screen captures. It's showing close-ups of the kids' ecstatic faces as they blissfully listen to jazz records. It's the funniest part of the movie, in my opinion.

Lisa is the only one still talking about the drag strip since Jim has withdrawn into work.

Lisa: "You know, if they close the strip, the next step will be to outlaw all hot rods."

Flat-Top: "Aww...so let 'em, if it'll make the squares happy."

"LP" and her man.

Next, we meet LP, which is short for Long-Playing Record. Because she talks a lot.

LP: "They wouldn't dare! My whole wardrobe is designed around the drag strip!"

Nobody takes LP seriously. Whenever she talks too much, they're all like, "Oh, LP! Flip the record!"

They discuss Jeff's absence. LP, who is apparently promiscuous, suggests she could probably get him back.

LP: "People respond to me in a different way than they do to normal girls."

The discussion turns to illegal non-strip racing and Lisa walks out on everybody and chaos ensues.

Flat-Top, feeling a little squirrely without Jeff's sober presence, hands Yo-Yo a Canadian dime! Yo-Yo's like, 'Hey, this is a Canadian dime!' And Flat-Top's comeback? 'So? Take a trip!' Classic Flat-Top.

Now, we're in Jeff's garage, and he's burning the midnight oil as a mechanic.

Jeff's boss: "You're looking tired, Jeff."

Jeff: "I like being tired."

Jeff's boss: "Yeah, I know."

"Do you think it's easy for me to come here?"

But hold up, this melodrama's interrupted when Lisa makes an entrance, determined to crack Jeff's shell.

She hits him with, 'Don't you think I have my pride? Do you think it's easy for me to come here?'

Jeff finally explains he feels responsible for Steve's death because he's the one who souped up Steve's car for him.

Jeff: "Every time I open the hood of a car and see the engine, I think of the engine I built for him!"

Lisa: "Trying to kill yourself with work isn't going to bring him back!"

Lisa warns Jeff that Flat-Top and the other kids "are starting to act up" without his guidance, but Jeff just can't deal with that right now.

Talbot.

Now, meet Talbot, the new guy in town with an ear-piercing engine. He's all over Lisa, but she's not having any of it.

Talbot: "They told me this was a friendly town."

Lisa: "I'm the exception."

As Talbot leaves Yo-Yo's, he declares, 'When I get my coffee pot perkin’, maybe I can teach some of you cats a lesson!' Confidence level: through the roof.

Lisa, Judy, & Flat-Top talking shit.

Talbot fancies himself a great driver, but he doesn't take good care of his car at all. 

When he talks to Jeff at the garage, he affirms, "I'm here for service, not a sermon! It's my heap and I'll do with it as I please!"

Back at Yo-Yo's, Talbot pulls the ultimate party foul – he unplugs the jukebox, killing everyone's tunes and losing their credits, just so he can talk. What a dick.

But wait, Jeff makes his grand entrance! He tells Yo-Yo, 'No trouble, just music.' Ah, sweet reunion.

Feeling pressured, Talbot just flat-out challenges the whole gang to a game of chicken.

Yo-Yo, the owner of Yo-Yo’s, looks to the sky and asks the gods, "Why do I have to run a hangout for lunatics?"

"I don't want trouble...just music."

The "Chicken" scene is excellent! All the onlookers are tense as hell as Talbot and Flat-Top take their positions. 

Everyone's on edge as Talbot and Flat-Top line up. They come barreling down the road, head-on, and the first to chicken out loses.

 Spoiler alert: Flat-Top blinks, and Talbot declares them all 'chickens.'  

Everyone is a chicken except for Talbot.

Talbot at the wheel.

Flat-Top at the other wheel.

Later, Flat-Top's girl makes him swear off chicken for life. 

LP chimes in with her dramatic flair, 'Exciting! Too exciting for me!! Imagine! Too exciting for ME??!!!'

Then Ben swoops in to chew them all out: 'One more hot rod accident, and you ALL lose your licenses!' The stakes are high.

Make-Up Scene - 

Lisa's & Jeff's make-up scene.

Now, get ready for some romance. Jeff and Lisa are in his apartment, things are heating up, and Jeff, the poster child of moral responsibility, tells Lisa, “I think you'd better go.”

Lisa's like, 'Can I at least get my coffee first?' Jeff's reply? 'I'll buy you a cup tomorrow.' They both smile, suggesting that if Lisa stays one more minute, Jeff is going to lose control and try to have sex with her, so she’s got to go. Jeff & Lisa embody the ideal of American 1950s virtue.

Now that Jeff is no longer working himself to death, he is able to get all the kids back out to the drag strip where they belong.

Talbot's ultimatum.

Ben finds Talbot sitting around in Yo-Yo's by himself trying to figure out where Lisa is. Upon learning she is at the racetrack with everyone else, Talbot flies off like a bat out of hell.

Ben follows him and arrests him for speeding and gives him an ultimatum: 'Come to the drag strip and see how real hot rodders roll, or face reckless driving charges.'

But when they get to the track, Jeff's not having it. He says Talbot's car is a deathtrap, and things go south real quick. Talbot flips out, threatens Jeff, and vows to get revenge.

Dangerous recklessness.

He ends with a direct threat to Jeff - "I'll get you yet!!"

Later, as Jeff and Lisa are driving around, Talbot approaches from the rear and keeps veering in front of them, trying to piss them off. During this nonsense, a bicycle rider is hit and killed. Jeff and Lisa aren't sure who hit him, but Talbot is sure it was Jeff. The City Councilman is so pissed, he fires Ben and closes the drag strip. Soon all hot rods will be outlawed.

Approaching Talbot.

Not one to wallow in self pity (unlike Jeff after Steve's death), Ben is hard at work collecting a paint sample from Talbot's car. He then approaches Talbot, who is sitting alone drinking a soda at Yo-Yo's.

Ben informs Talbot his inspection of the accident site reveals Jeff's skid marks ending 50 feet before the kid while Talbot's go right through the impact point. He also thinks Talbot's car finish matches marks found on the boy.

Talbot responds by standing up and smashing Ben over the head with a bottle!

Brawl at Yo-Yo's.

Then, Jeff runs in and beats the shit out of Talbot.

Everyone agrees Talbot's actions suggest he is guilty. Ben says, "I have to go see a man about a badge", implying he will get his job back since he was able to determine the accident was Talbot's fault.

Nursing Jim's wounds.

Then Jeff & Lisa make-out and everything is fine.


Commentary - The title is a little misleading, as the "hot rod girl" is really just a supporting character. The movie isn’t terrible, but could use a little more action. The "chicken" scene is badass as is the scene leading up to Steve's death, but highlights like that are few and far between. As part of a 2-for-$1 DVD though, especially one that was given to me for free, I can't complain at all about Hot Rod Girl.

[ Reviewed March, 2006. ]

Time Saving Tips #1

Clip your fingernails at work.
This will free up more leisure time later at home.

Glad to be helpful, there is no need to pay me.

[Originally posted on Rebel Leady Boy, Feb. 26, 2006]

Cheap Video Reviews: Under California Stars

Under California Stars.

DVD. 1948.

I picked this up at the 99 Cent Store after reading on the back that Trigger gets kidnapped. My interest was piqued.

While the DVD cover features a black and white still, the actual movie is in full color, so right away I was surprised by this film experience.

Smartest horse in the movies.

Under California Stars opens with footage of the Western range while Bob Nolan & The Sons of the Pioneers sing, "Under California Stars," a fine cowboy song.


Roy's horse, Trigger, gets equal credit to the man himself. They are both billed as the film's two stars. In the credits, Trigger's name carries the byline, "The smartest horse in the movies."

Trigger's trailer.

Roy plays himself in this film, a "cowboy movie star" with a 10 year long career.

As the film opens, Roy is wrapping up a movie shoot and plans to return to his ranch for a 10 year anniversary radio broadcast. He's driving along with Trigger in a horse trailer. After the opening song concludes, we see Roy approach his final destination: The Roy Rogers Ranch.

When they arrive at the ranch, the cowhands all go ape shit. They're running around dropping things and yelling at each other - "Hey, Cookie!...Hey Bob!...I saw him comin'!...He's comin' down the road!!"

"I wonder if Roy & Trigger changed since they became movie stars?"

Roy's home!

"Not Roy! He'll always be the same old horse rancher."

Suddenly, Cookie starts playing the piano and they all spontaneously break into song. And in this case, that particular song is called, "Roy Rogers, the King of the Cowboys."

As Roy walks in to see singing cowboys, his face just completely lightens up as if he'd just entered paradise itself.

After greeting everybody, they all run out to put Roy's car in the garage and let Trigger out of the Trailer. They are something like servants and this film is very much about Roy being a wealthy big shot. He hires and fires people all over the place when he isn't riding horses around on his ranch. It is always clear that everybody else in Roy's circle is employed by Roy. This may have been a 10th anniversary film (that is an ongoing theme) and perhaps he is just celebrating his success. There certainly is nothing shady about him. He just owns everything.

A talk with Cookie.

Next, Roy has a private talk with Cookie after learning that Cookie has hired a bunch of his cousins to work on the ranch. Nepotism doesn't sit well with Roy and he starts in on Cookie, "Cookie, if you don't quit hiring your relatives..." But the threat is interrupted by excited ranch hands. Apparently somebody has been abducting wild horses for their meat and hides. While this is not illegal, Roy and his posse head out to make sure they aren't taking any of Roy's ranch horses.

Roy sees a man lasso a horse, then knock it unconscious by whacking it in the head with a rifle butt! When the man sees Roy, he sneers, "Well Well...I should've known. Roy Rogers, the movie cowboy."

Roy immediately beats the shit out of this man, proving he is the real deal.

Pop Jordan's.

The criminal element in this movie centers around Pop Jordan's ("Horses Bought and Sold") and the film takes us over there next, where we meet Pop Jordan himself, an otherwise upstanding citizen who is thieving horses on the side. We also meet the film's young protagonist, Ted Carver & his dog, Tramp. Tramp jumps up on Pop's desk, causing Pop to exclaim, "Get that flea-bitten Australian coyote out of here!!!", which is a pretty funny thing for a guy to say.

It is in Pop Jordan's shop where the head horse thief, 'Lije (as in Elijah - he is also Ted Carver's step father) get the big idea to kidnap Trigger for a ransom.

Carolyn, the attractive horse trainer.

Back at Roy's Ranch, we meet another of Cookie's cousins, the attractive Carolyn who Cookie has hired as a horse trainer.

When she meets Roy face to face, Carolyn passes out from excitement. Roy catches her & comments to Cookie, "I can tell she's your relative; she weighs a ton".

Cut to the next day - Cookie is looking for the ranch hands and finds them all slacking in the stable. All the cowboys are hanging out in Trigger's stable, just adoring this great horse. One is brushing Trigger's mane, and the rest are playing cards. They all begin singing a cowboy ballad about "the cowboy and the coyote" and it's a fine song.

Roy enters the stable during the song and it just brings joy to Roy Rogers' heart when he hears cowboys singing. He is utterly delighted.

"As long as you haven't run away from home."

Next, Roy spots Ted Carver & his dog, Tramp. He picks them up, one at a time, and sits them on a bale of hay. Ted wants a job working for Roy and Roy doesn't mind at all, "as long as you haven't run away from home."

Back at Pop's, 'Lije is being reemed out - "That kid of yours is up at Rogers Ranch, asking about a job!"

The cattle rustlers decide to take advantage of the situation to get ahold of Trigger. They visit the ranch and act thrilled that the kid will be working and living with Roy instead of living at home with his step-father, which I guess would be perfectly reasonable in the cowboy subculture:

Ted: "You mean I can stay? You aren't mad at me?"
'Lije: "For runnin' away? NOoo! Noooo!!"

The film's big moment of levity occurs in the form of a race between horse and dog. Trigger and Tramp race each other, running down a long dirt road at full speed. The little dog is going so fast, you can hardly see his feet and everyone is going crazy yelling, "C'mon, Trigger!!" and "C'mon, Tramp!!"  Of course, Trigger wins.

10th anniversary radio broadcast.

Cut to Roy's 10th anniversary radio broadcast - Roy cuts a cake and comments, "It's so pretty, I kinda hate to cut it". Then, of course, he leads a chorus of cowboys in song.

While otherwise good-natured and sort of a harmless buffoon, Cookie may be part German as well, because he holds no love for children at all. During the celebration, we see Cookie smack Ted's hand when he makes a grab for a piece of cake. Under the table, however, Cookie is feeding cake to the boy's dog, Tramp. At another point in the film, Cookie says to Roy (regarding Ted), "He's not one of us! We were bigger than him when we were born!"

A bloody gash.

What a thing to say!

Rough stuff.

During this celebration of Roy's career, however; back on Roy's ranch, the kidnappers are going after Trigger! They also rough up Ted, and pistol-whip the dog, Tramp, right in the head; leaving a realistic bloody gash.

They tell Ted that if he mentions anything about this, they're going to blow his head off.

The capture of Trigger.

Horse Thieving Tip -  As the kidnappers approach Trigger, their leader exclaims, "Not that way! He'll kick your brains out! Rope that mare and lead her out, he'll follow her.

So they lasso Trigger, who rears up on his hind legs heroically, but to no avail.

The headlines!

The next day's headline reads: "Trigger Kidnaped".

Pop's ransom note.

The radio announcer describes widespread searches, "by plane, automobile, and horse".
Meanwhile, Pop is hard at work on a ransom note.

One rustler (the one who Roy beat up earlier) opines, "$100,000?? I think that's too high! Why don't we ask for $10,000?". He apparently doesn't appreciate Trigger's celebrity value. Roy arranges for his Hollywood movie studio deliver him $100,000 and then sings Ted Carver a sad cowboy lullaby in Spanish.

This moment of peace is short lived as the rustler (the one who Roy beat up earlier) breaks up the song at gunpoint. He tries to undercut Pop and says he'll tell Roy where Trigger is for $10,000 instead of $100,000.

Then he is promptly shot through the window. Right in the back! For double-dealing!

Cookie has been writing the movie's title song, "Under California Stars", but is too choked up to perform it. Then, like that wasn't bad enough, the sheriff refuses to let Roy pay the ransom because he doesn't want to encourage the rustlers to pull similar stunts in the future. Even though Roy is freaking rich and argues that $100,000 is nothing compared to Trigger's life; he does finally see the sheriff's point. So they hatch a plan to use fake money and trace it back to the kidnappers.

"Under California Stars."

Before they set off though, Roy joins Carolyn in a verse of Cookie's "Under California Stars".

Roy likes the song so much he agrees to use it in his movie. He then fires Cookie for "writing songs on ranch time", then immediately hires him to come to Hollywood as his song-writer.

Cookie faints just like his cousin Carolyn did earlier. Roy has that kind of power over people. As Cookie recovers, he is murmuring, "Hollywood. Swimming pools. Lights. Girls!"

Then everyone goes after the kidnappers. Well, there's a lot of crap footage here, then finally the counterfeiters bullwhip Trigger until he goes inside their cabin so nobody sees him. Trigger finally complies, but only after bringing his hooves down on one man, crippling him for life.

When they discover the ransom money is counterfeit, it is time to kill Trigger. 'Lije pulls out a shotgun (though I find it impossible to accept somebody would shoot a horse with a shotgun INSIDE a cabin - that just seems crazy to me). He comments to the other horse thieves, "Boys, get your shovels. We gotta bury the evidence."

Horse following dog.

Suddenly, Ted Carver shows up with the real ransom money. He hands it over in exchange for Trigger's life. Pop decides to take the money & burn the cabin down with Trigger & Ted inside it. The guy that Trigger crippled yells out, "Hey! How about me!! I can't move!" Then he is immediately shot.

Now, on the day that Pop wrote Trigger's ransom note, Ted Carver & Tramp visited his office. Tramp got in the trash as usual and now Roy discover's where Tramp stockpiles all the garbage he steals.
While going through various items and laughing - Pop's glove, a boot - Roy finds the newspaper cut up for the ransom note! And he goes apeshit! No time to sing, they are on their way!!!

More horses following horse.

Tramp is let out of the house because they know he'll run straight to Ted Carver, wherever he may be.

The next scene is thrilling!! It consists of a dog running full speed with Roy Rogers following on a horse, and finally about ten cowboys chasing after Roy.

So, to make things short, big shoot out, big chase scene - finally 'Lije and Pop are the only ones unaccounted for. 'Lije shoots Pop on the Northern Trail and Roy hears the shot and beats the shit out of 'Lije.

Then suddenly, Pop reappears and hoots 'Lije for double crossing him and then dies from his wounds, so everybody is happy.

Happy Trails, Roy!

Next thing we know, Roy is heading back to Hollywood with Ted Carver up front and his new song-writer, Cookie, in the back with the dog, Tramp. The ranch-hands stay behind, keeping an eye on things until Roy's return.

Comments - Under California Stars was ok. It had its moments and a couple of enjoyable musical numbers. Definitely worth 99 cents.

I admire Roy and I also really liked the film's strong "Don't be a double-crosser" message, though Cookie often over-acted. This makes me think I might enjoy other Roy Rogers films. We may or may not ever know.

[ Reviewed February, 2006. ]

Cheap Video Reviews: Get Christie Love

Get Christie Love.

DVD. 1975.
I picked this up at the 99 Cent Store and had pretty high expectations which it did not live up to.
Get Christie Love was shot in 1975 and it really has all the indications of a made for TV movie, rather than a theatrical release. There are frequent fade-outs that just beg for a commercial break. 

Aside from the gritty intro, the rest of the movie feels like filler. There isn't much of a story line, it's just Christie Love trying to find a drug lord's "ledger" which records all his contacts and shipment times & places

Gritty opening scene.

The film's various "detective work" scenarios seem more an excuse to show Christie in different outfits and interacting with different people from various walks of life. There isn't much to the story and most of the scenes could be dropped and it wouldn't hurt the story at all. I actually dozed off about half way through and had to watch the 2nd half later.

I also think this film was made during the height of the 70s Kung-Fu craze. In one scene, the drug lords are watching a Chinese karate movie and the leader comments, "Let me tell you about Japan, it's going to take over the world with its transistors and now these movies."

Captain Riorden.

Anyway, Christie Love is a cop, though as the film opens, the viewer thinks she's a hooker because she's undercover.

Christie's main companion in this film is her supervisor, Captain Riorden. While part of the establishment, Capt. Riorden is also hip for his age. He smokes cigarettes constantly and occasionally reveals a subtle tendency toward grooviness in his personality which comes out occasionally when he gets worked up and says stuff like, "You dig?"

Capt. Riorden & Christie Love, you dig?

Capt. Riorden is also pro-sex. He is scrupulously professional in his dealings with Christie Love, except for when they're not on a case. Then he constantly attempts to get in her panties.

Outside Christie Love's apartment.

In one scene, he takes Christie Love out to a restaurant called "The Broken Drum - You Can't Beat It". Then he walks her home and tries to talk her into letting him into her apartment for a drink, but Christie Love is a good girl at heart and never gives in. Captain Riorden is no smooth talker and he doesn't even try to be. He just says, "Can I come in for a drink?" which isn't a very charming thing to hear (especially from your boss).

Christie Love in Florida.

The first totally unnecessary scene is when Capt. Riorden sends Christie Love to Florida. He wants her to find something out about who might have the Drug Lord's shipment ledger.

Mingling with the locals.

Surprisingly, Christie actually locates the Drug Lord's main lady (they are staying in the same hotel)! And then Christie Love just blatantly asks her where the drug lord keeps his ledger of contacts and shipment times/locations! Needless to say, the lady doesn't tell her.

In the next scene, she is back home in the police office and Capt. Riorden can't believe she just asked where the ledger was. He takes her off the case and puts her on "the pick pocket force" as punishment.

Chewed out by the boss.

Christie's response is to call the head of the pick pocket force and tell him she's sick. She then puts on a metal-studded denim jacket and matching skin-tight pants and goes out on more "detective work."

I couldn't follow exactly what she was doing or looking for here, the main interest is just watching Christie Love out on the streets. To gain entry into a wealthy home, she flashes her badge at a maid, who comments in disbelief, "Are you jivin' me??"

Are you jivin' me?

All we really learn over the next 45 minutes is that Christie Love is a straight cop and she is cool, but not uptight. Instead of arresting a teenager for smoking marijuana, Christie Love just advises her, "I'd cool it with the grass".

There's some cool footage of an AA meeting in the mid-70s and Christie Love eats a HUGE plate full of spaghetti for dinner and has a fish named Clarence.

That's about as interesting as it gets, even Christie Love's and Capt. Riorden's sexual tension is boring. In one scene, they are in a criminal's house and while Capt. Riorden is sitting on the guy's bed, Christie Love turns a switch which starts playing jungle drums and flashing groovy lights over the bed:

Christie Love: "Turn you on?"
Capt. Riorden: "Turn you on?"
Christie Love: "You're a regular Don Juan aren't you?"
Capt. Riorden: "How would you know?"
Christie Love: ::smiles::

Somewhere in this hour of crap is a pretty funny piece of dialog, my favorite in the entire movie. Christie Love is trying to get some adoption information from her friend, Child Adoption Case-Worker, Myron Jones:

Myron: "When a couple adopts a child, they are assured that the natural mother will never..."
Christie Love: "Now you're acting like a natural mother!"

Christie Love again shows she has a heart of gold when the child's real natural mother has been shot and Christie Love drives her out to the school football field (instead of a hospital) so she can see her kid one time before she dies.

Real natural mother: "So that's my boy."
Christie Love: "He's a real good kid too."
Real natural mother: ::dies::

Finally, the film ends with a drug bust. Captain Riorden and Christie Love are on the smugglers' trail (apparently they found the ledger, I wasn't paying much attention at this point) and they track them to a movie house where a thug is screwing around with a film projector. Then, amazingly, a bunch of bags of cocaine fall out!

Captain Riorden holds up two bags of dope and exclaims, "Now, that's a VERY dirty movie!"

"Now, THAT'S a VERY dirty movie!" 

When he's taking Christie Love home, Capt. Riorden tries to get into her apartment again. Insisting she let him in for a drink.

Christie replies, "Well, maybe just one. But that's my limit."

Then it is over.

Commentary: Ehhhh....it was ok. I like watching Christie Love run around. The story was almost non-existent though. I'd rather watch an old episode of Kojak. I will mail this DVD to anybody who wants it.

[ Reviewed January, 2006. ]